Saturday, 16 December 2017

Black Capricorn - Omega (Album Review)

Release date: November 02nd 2017. Label: Stone Stallion Rex Records. Format: CD/DD/Vinyl

Omega - Tracklisting

2.Evil Horde of Lucifer
4.Flower of Revelation
6.Black Capricorn Seal
7.Devil and the Death
8.The Man Who Dared
9.Stars of Orion
10.Quest for Agartha


Fabrizio: guitar, vocals
Virginia: bass
Rachela: drums


After a series of splits and an EP, Italian psychedelic doom merchants Black Capricorn follow up their last album Cult Of The Black Friars with the sprawling and dominant force of Omega. The band have always been capable of delivering powerful and affecting music as they so ably demonstrated on Cult Of The Black Friars and its predecessors Born Under The Capricorn and their self titled debut but on Omega, they raise to another level, such is the albums sheer hypnotising power.

This is mesmerising music of the highest order and the riffs (courtesy of riffmeister general and vocalist Fabrizio who also is blessed with a formidable howl) on this album aren't just set to stun, they are set to pulverise on sight and they certainly do that as they are cranked up to full power, and they are are not just heavy though, these riffs are as catchy as they are powerful and their droning eclecticism proves a sublime combination. The bands rhythm section that consists of bassist Virginia and drummer Rachela conjure up a crushing backbone of a groove as well and that only adds to Black Capricorn's powers.

The psychedelic elements of the bands music are even heavier than they have been before but are just as sprawling. Just take one listen to the monolithic and trippy solo on the song Accabadora for proof and get hypnotised by its sheer ascendant vibe.

Evil Horde Of Lucifer is an early highlight as is the sublime Flower Of Revelation but this is an album that has so many of them and is an album that you definitely have to listen to in full, there's no picking and choosing here. It needs to be consumed in full and as such it will consume you back in kind.

Omega is a gripping listen and when the bands doom is unleashed in full on tracks like Devil And The Death and Stars Of Orion and the music takes an eclectic turn on The Man Who Dared (a song that features some stunning vocals from guest soprano Illaria Falchi) and Black Capricorn Seal which features sublime use of strings, it is such a gripping experience that your head and your heart feels like it will explode with joy at times.

This is an epic album, to say the least, and it will consume you and your senses as you listen. From the opening drone of Alpha right through to the funereal conclusion of Omega, thus is a journey that will bewitch and transfix you, just turn it up loud and let the music of Black Capricorn take you over.

Words by Gavin Brown

Omega is available to buy on CD/DD/Vinyl now from Stone Stallion Rex Records.


Throneless - Cycles (Album Review)

Release date: March 23rd 2018. Label: Black Bow Records. Format: CD/DD/Vinyl

Cycles - Tracklisting

1.Born in Vain 09:43
2.Cycles 09:12
3.Senseless 06:29
4.Oracle 14:05


Johan Burman - drums
Johan Sundén - guitar
Patrik Sundberg - bass


Holy shit. This is heavy as fuck and no messing. It makes perfect sense being signed to Black Bow Records as well, as to quickly summarise the bands sound, it has elements of Conan. And Slomatics. With the occasional vocal nod to "Come My Fanatics" era Wizard. But all set in space.

Four ridiculously heavy tracks, with only one song being under 9 minutes (and the album closer is nearly quarter of an hour just on its own)

First track "Born In Vain" really sets out what Throneless are about. Soaring vocals, hypnotic drumming and riffs heavier than a post Klitschko, Tyson Fury.

For me though it's with the second track "Cycle's" that the record really starts to come into its on.

A quietly played lone guitar (also sounding like it's from space) playing a calm picked refrain, as the drums join and the bass enters the fray for a minute or two before the track starts in earnest, with layers of fuzz being added to the main riff.

Third and my personal favourite track on the album "Senseless" is the shortest of the four songs on offer, and as such is probably the most aggressive and introduces almost an element of spite in to the song writing. Which I love.

Fourth and final track "Oracle" slows proceedings back down as Throneless lurch their way of fourteen minutes of absolutely punishing doom, as the track tails of at the end leaving ears wringing in its wake.

It took me a listen or two to probably fully appreciate this record the first time I heard it. The first thing you'll notice is just how heavy the whole things is (I think I've mentioned before this is quite the heavy album yeah?) but after that, some of the less obvious subtleties and talented songwriting start to move more to the fore, making this one of the most enjoyable and surprising records I've had the pleasure of hearing this year.

Words by Simon Williams

Thanks to Curtis at Dewar PR for the promo. Cycles will be available to buy on CD/DD/Vinyl via Black Bow Records from March 23rd 2018.


Wednesday, 13 December 2017

CLAMFIGHT - III (Album Review)

Release date: January 19th 2018. Label: Argonauta Records. Format: CD/DD

III - Tracklisting

1. Whale Road
2. Selkie
3. Echoes in Stone
4. Eynhallow
5. History of the Earls of Orkney


Joel Harris: guitar
Louis Koble: bass
Andy Martin: drums/vocals
Sean McKee: guitar


Greetings all,
I had the most righteous honor of checking out the new album by Philadelphia riff masters Clamfight. III is obviously the bands third release and it is an amazing set of 5 slabs of killer sludge. The band credits alot of the hallmarks of the stoner metal as their influences, and while you can certainly here those influences the fellas in Clamfight do an amazing job of sounding original and masterful. There are elements from the 70's to today and the band finds a way to wink and nod at 40+ years of killer music in only 5 crushing tracks.
To the tracks, the album opens with Whale Road which spans over 11 minutes and kicks of with a surf inspired intro that instantly reminded me of that used in Pulp Fiction. The song varies into a lot of directions as their is a bit of Neurosis when the song kicks in before going in to a Clutch inspired guitar breakdown before some heavy, heavy drums in the outro. Selkie comes in next and it hits you hard and fast. The song is heavy, period. Echoes in Stone is an impressive multi faceted song. There is some Eyehategod level sludge mixed with female vocals and an absolutely face melting guitar solo outro. Eynhallow is the shortest track on the record at a little over 5 minutes. It is a slow instrumental interpretations that opens with a subdued bass line before bringing in some David Gilmour/Pink Floyd inspired guitar work with a nice mix of synths to keep the mood mellow. The album closes with the impressive 12+ minutes of History of Earls of Orkney that comes in with a leisurely 3 minute start before kicking in with an amazing riff that will leave your neck a bit on the sore side. There are so many aspects of this song that are utterly amazing.
Clamfight has bestowed upon us an amazing piece of work. I implore anyone reading this to take the time and track this record down. The band is set to start 2018 with more than just a bang. Do yourself a favor and track down III. I know I am.
-Todd S

Instagram @alltheghoststhathauntyou

Words by Todd Stealey

Thanks to Barbara at NeeCee Agency for the promo. III will be available to buy on CD/DD via Argonauta Records from Jan 19th 2018.


Tuesday, 12 December 2017

Shadow Witch - Disciples Of The Crow (Album Review)

Release date: December 15th 2017. Label: Salt Of The Earth Records. Format: CD/DD

Disciples Of The Crow - Tracklisting

1. Love Could Be Like This
2. Reap
3. Cruel
4. Disciples Of The Crow
5. Stranger Skies
6. The Sea
7. Beneath The Veil
8. Dead Heroes


David Pannullo (bass)
Jeremy H. Hall (guitars)
Doug “Beans” Thompson (drums)
Earl Walker Lundy (vocals, mellotron, samples)


Psychedelic Doom Metallers – Shadow Witch – return with their new album – Disciples Of The Crow. Coming about 16 months of their debut album which the whole Doom/Stoner Metal community rated quite highly including myself.

Newly signed to Salt Of The Earth Records it's good to see the band expand more on their progressive sound with opening track- Love Could Be Like This – creating quite an uplifting Doom/Stoner Metal vibe. It's very demonic parts but it's so damn catchy with the band writing 80s Classic sounding Doom/Hard Rock lyrics. The vocals from Earl have matured since the last album. He's more focused and his vocals soar to new heights. The music is still influenced by Mastodon, Sabbath and Clutch but that's a good thing. As at least Shadow Witch are giving their own spin on the Progressive Doom/Stoner Metal sound.

Second track – Reap – is a more soulful occult/doom rock sound with the band adding a more blues/funk guitar that tries a little too hard to merge 70s Doom Rock with a 90s Alt Rock/Stoner Metal feel. It's still a very good song to listen to. I wasn't a fan of the different funk based moods that this song contains. Earl's vocals are very dramatic and OTT at times but I feel that's the whole point of this song.

Third track – Cruel – sees the band return to winning ways with a CLUTCH inspired guitar sound. This is high octane Blues fuelled Stoner Rock with a gloomy psychedelic score being the main focus of the song. This is the style of music where Shadow Witch excel at. It's superbly played and the psychedelic progressive riffs only endear you to the band even more. The different styles of music is another highlight with the band switching to a more sombre classic rock/doom rock sound towards the end of the song.

Fourth track – Disciples Of The Crow – has Shadow Witch become a fully fledged DOOM METAL Band. As they leave all their fancy and imaginative psychedelic stoner sounds behind and embrace a more demonic vision. Earl's vocals are bang on point here when sung against the slowly played macabre sounds. The atmosphere becomes heavier and more frantic as the mood of the album will keep you on the edge of your seat.

The second half of the album is equally as good as the first half if not better. The Sea and and Dead Heroes are perhaps the standout tracks on the later stages of the album. As the songs sees the band experiment with their sound more by adding different elements of music. Some trippy post-rock style sounds appear on The Sea. It's quite a slow-paced affair to start off with. Though Shadow Witch know when to play a superb sounding progressive doom metal melody that offers a few surprises along the way.

Shadow Witch raise the ANTE and EXCITEMENT in every aspect with the album. Shadow Witch could have easily released Sun Killer Part Two. But Nope. The band took another route and have released a more daring and genuinely exciting record.

Disciples Of The Crow is a Stoner/Doom Metal Masterpiece. I know that term gets branded around too easily and very quickly at times. However I stand by my review. This album is FUCKING AWESOME!!!!

Words by Steve Howe

Thanks to Leanne at Mettle Media PR for the promo. Disciples Of The Crow will be released via Salt Of The Earth Records on CD/DD from December 15th 2017.


Facebook | BandCamp

Enhailer - Dumb Enough To Care (EP Review)

Release date: December 11th 2017. Label: Blackseed Records. Format: CD/DD

Dumb Enough To Care - Tracklisting

1. Dumb Enough To Care


Michael Gilpatrick-Bass
Mike Shea-Guitar
Mathew Snyder- Guitar
Chadd Beverlin-Drums


Enhailer's new EP – Dumb Enough To Care – is 18:23 minutes of bleak Progressive Stoner/Doom Metal. I haven't heard of these guys before and their latest release impressed me from the very first listen. The band create an epic and distorted style of Psychedelic Doom/Stoner Metal that offers a bleak atmosphere from the very start.

The pissed off vocals just add to the heavy and furious atmosphere that Enhailer expertly create. Taking influence from bands such as Mastodon, Neurosis, Bongripper and even Pelican at times but with a more Doomed Out Stoner Metal sound holding everything together.

Dumb Enough To Care is superbly played throughout with the band creating a nightmarish world of different sounds and textures. The soundclips spliced throughout the EP have been strategically placed to amp up the gloomy atmospherics of the entire record. Though the standout parts of the EP appear towards the end when Enhailer ditch the Doom/Gloom theatrics for a more focused Progressive Stoner Metal sound.

I maybe Dumb Enough To Care but not dumb enough to recognise a band who have the potential to release something more substantial in the future and perhaps a full length album.

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Curtis at Dewar PR for the promo.


Saturday, 9 December 2017

Borracho - Riffograhpy (Album Review)

Release date: December 08th 2017. Label: Self Released. Format: CD/DD

Riffography - Tracklisting

1.Rectify 03:19
2.Círculos Concéntricos 03:20
3.Mob Gathering 03:56
4.Short Ride (When It's Over) 03:20
5.Stockpile (alternate vocals) 11:23
6.Know the Score (alternate vocals) 07:16
7.Know My Name 04:39
8.King's Disease 05:02
9.Fight the Prophets 07:20
10.Superego 07:38
11.Shark Tank 06:03
12.Border Crossing 04:03
13.Animal Magnetism 05:52


Steve - Guitars & vocals
Mario - Drums & percussion
Tim - Bass & backing vocals


Washington DC Stoner Metallers – Borracho – have released a string of acclaimed releases since their formation in 2007. 2016's Atacama made my best albums of 2016 list. Now the band are back and they've released a greatest hits of sorts. Well not a greatest hits package as such. Just all the previously released vinyl only tracks.

Borracho explain more: Since we first started jamming in late 2007 we’ve made a habit of sprinkling some goodies before, between, and beside our LPs. For the first time, a collection of these previously vinyl-only tracks is now available on the comprehensive Riffography CD. This incredible package includes singles, b-sides, and splits - from our first 2008 single “Rectify” to the just announced “Border Crossing” 7”

What you have is some outstanding slices of Desert/Stoner Metal from one of the best Stoner Metal bands around. There are songs here that I hadn't even heard of before. Such as Rectify. Yeah I know it's been out for ages. I just focused on Borracho's full length albums and EP's. Shame on me for that mistake. However I'm grateful that Borracho have released this excellent album. OK, it's not a proper album as such but you can see the progression of Borracho's sound to what it is today.

This is a must have album for any self respecting Borracho fan. If you're new to the world of Borracho then Riffography is the best place to start.

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Richard at Sheltered Life PR for the promo. Riffography is available to buy now.



Who cares that most of the upcoming Vinyl Releases from Kozmik Artifactz have already been released. Let's rejoice that this great label is releasing some of the best sounding albums of recent years on Vinyl with Whoopie Cat, Snowchild, Mississippi Bones, His Masters Voice - The Devil's Blues and Deadneck being set for release in the next month or so.

Out of those 5 great album releases Snowchild have to be my top pick. As it's one of the best Doom Metal Albums of 2016. Especially if you're a fan of Black Sabbath and other legendary Doom Metal Bands.


Facebook | BandCamp | Kozmik Artifactz Vinyl

Whoopie Cat

Facebook | BandCamp | Kozmik Artifactz Vinyl

Mississippi Bones

Facebook | BandCamp | Kozmik Artifactz Vinyl

His Masters Voice - The Devil's Blues

Facebook | BandCamp | Kozmik Artifactz Vinyl


Facebook | BandCamp | Kozmik Artifactz Vinyl

Angus Black - S/T (Album Review)

Release date: October 10th 2017. Label: Self Released. Format: DD

Angus Black – S/T - Tracklisting

1.All the Sins 05:43
2.I'll Guide You Home 03:27
3.I'm Yours 12:16
4.Incomplete 08:17
5.Children of The Stars 05:17
6.Leaving 07:24


Antti: Guitar, Vocals, Synths
Sampo: Drums
Jyri: Bass


Holy Hell. Angus Black maybe one of the best Black Sabbath sounding and inspired bands I've heard this year. As their debut album matches the classic Sabbath sound with a more gloomier Fuzz Rock sound. The album is very psychedelic from the start with Antti's vocals taking influence from both Ozzy and Uncle Acid. Though Angus Black manage to stand on their own convictions in creating a highly effective Post-Doom/Fuzz/Hard Rock sound.

The opening track – All The Sins – operates fully as a Doom/Psych/Stoner Metal song that showcases Angus Black's music to almost ear-splitting perfection. The music drifts from gloomy theatrics to the heavier psychedelic sounding vibes heard on the later stages of the song. This gives the listener a full glimpse on what to expect for the remainder of the album. A superb audio soundclip shows you how dark the album can really be when the album progresses onto the other songs held on the album.

Second track – I'll Guide You Home – carries on the dark gloomy atmosphere from the opening track but with Angus Black playing a more precise song that doesn't waste any time in playing some classic doom based riffs.

Third track – I'm Yours – is Progressive Doom Metal excess of the highest order. Angus Black capture the early sounding vibe of Uncle Acid and give it a Progressive Doom Metal makeover. The Psychedelic Stoner/Occult Rock sounds give this song a more modern sounding feel. The music is played deliberately slow throughout. As the band create the standout song on the entire album.

The remaining 3 songs on the album – Incomplete, Children Of The Stars and Leaving offer more highly stylized Psychedelic Doom/Stoner Metal that fans of 70s Hard Rock/Heavy Metal will find very hard to resist. I would say Children Of The Stars is perhaps the best track of the bunch. As Angus Black play a more standard Retro style of Doom/Hard Rock that still sounds remarkably modern at the same time.

Overall, Angus Black have released an exquisite sounding album that offers the right amount of thrills and spills. You would be a fool to miss out this on record. Impressive As Hell.

Words by Steve Howe


Pale Horseman - The Fourth Seal (Album Review)

Release date: December 08th 2017. Label: Self Released. Format: CD/DD

The Fourth Seal - Tracklisting

1.Final War 06:25
2.Witches Will Gather 05:50
3.Aokigahara 06:45
4.Bereavement 08:46
5.Gnashing Of Teeth 05:43
6.Forlorn Extinction 04:37
7.Pale Rider 07:08
8.Tyrant 05:33
9.Phantasmal Voice 07:43


Eric Ondo, Rich Cygan, Jason Schryver, Andre Almaraz


Even though I'm huge fan of Baroness and Mastodon, I'm willing to admit I miss their earlier albums heavy progressive sludge riffs before they abandoned that sound for a more commercial based sound. This is why I'm thankful for bands such as Pale Horseman who have taken up the mantle of creating highly complex and progressive sludge metal sounds.

Now four albums into their career, the band return with The Fourth Seal. A heavy complex and highly intelligent journey that has a lot of soulful psychedelic grooves that allows the band to have a more threatening presence compared to their other albums.

Opening track - Final War - has a thrash metal groove with the band channelling early Metallica especially with the thrash paced guitars and pitch perfect vocals. The progressive sludge element of the album is the main focus here as Pale Horseman manages to sound like a direct threat to the more established bands within the Progressive Sludge Metal scene. It's good to hear Pale Horseman change the mood of the album so early on. As they'll happily be playing a Thrash Metal sound before switching to a more soulful psychedelic riff. The majority of the songs held on the album run from six to nine minutes in length. With this being a progressive sounding album, Pale Horseman includes a lot of interesting ideas in both the music and lyrics held within the album.

The next three songs on the album: Witches Will Gather, Aokigahera and Bereavement - are perhaps the standout moments of the album. As the sounds of Witches Will Gather and Bereavement have a strong balance of Thrash, Progressive, Sludge and Psychedelic vibes that leave you pressing the rewind button for more enlightenment and even punishment. The production is another highlight of the album. As the album feels dynamic and fresh from the very start. The instrumental work is LOUD and throws you right into the centre of the action. You feel that Pale Horseman is playing right in front of you. So top marks on the production side of things.

Other songs on the album that I was impressed with were Pale Rider and Phantasmal Voice as the band expertly switch genres yet again whilst still delivering a true "underground" Progressive Sludge Metal experience. If you feel let down by the current studio outputs of Baroness and Mastodon. You need to experience Pale Horseman for yourselves. Some people may feel the album maybe slightly too long in parts. Though that feeling will go away within time. As there is a lot of music to digest and fully understand here. So please give this album repeated listens before making your final decision.

The album also has its fair share of Doom and Gloom parts. As The Fourth Seal has a creepy narrative that becomes even more threatening when the band slow things down and play gloomy soundscapes against a progressive thrash/sludge metal backdrop. The Fourth Seal is perhaps Pale Horseman's most complete album to date. As the album feels more focused and perhaps fully realized compared to their earlier albums.

The Fourth Seal is one of those albums why you fell in love with Heavy Metal music in the first place. You want an album that is challenging and extremely heavy from the start. Well look no further, Pale Horseman is here to answer your prayers....

Words by Steve Howe

Thanks to Curtis at Dewar PR for the promo.


Wednesday, 6 December 2017


Ripple Music are releasing another epic slice Stoner Rock/Metal in their ever popular The Second Coming Of Heavy. Ripple are now onto Chapter 7 and they've brought out the big guns with this record.

In one corner you have - SWITCHBLADE JESUS. And the other - FUZZ EVIL

I may have not featured Ripple Music's ongoing popular The Second Coming Of Heavy recently. Though I'm a huge fan of the previous chapters that Ripple Music have released so far.

I have to say that this maybe one of the best and most exciting chapters to date. Both Swtichblade Jesus and Fuzz Evil play top-notch Stoner Rock/Metal sounds.

If you're new to the world of SWITCHBLADE JESUS and FUZZ EVIL then this is the best place to start. With Ripple Music proving why they are the Premier Record Label within the Doom/Stoner Metal community.

As I've been given the chance to premiere two fantastic songs from Chapter 7.


FUZZ EVIL with Flighty Woman

The Second Coming Of Heavy Chapter 7 will be available to buy from Ripple Music on CD/DD/Vinyl from December 8th 2017.

Thanks to Alex at Grand Sounds PR for the premiere. Thanks to Richard At Sheltered Life PR for the promo as well.

Fuzz Evil Links:

Facebook | BandCamp

Swtichblade Jesus Links:

Facebook | BandCamp

Tuesday, 5 December 2017

Ghastly Sound - The Bottom (EP Review)

Release date: December 15th 2017. Label: Magnetic Eye Records. Format: DD

The Bottom - Tracklisting

2.The Bottom
3.Holy Serpent


Tyler Gurwicz - Vocals
Ryan Lewis - Drums
TJ Maynard - Bass Guitar


Ghastly Sound return with their second EP this year on Magnetic Eye Records. Their new EP - The Bottom - only runs for fifteen minutes and like their previous EP, it's a fast-paced style of Sludge, Stoner, Doom, Noise and Psych Rock carnage. The EP is hugely entertaining and contains some frantic and fresh sounds from the band. With songs such as Waves, The Bottom and Deadtooth impressing me the most.

Ghastly Sound has a demonic pop edge to their sound. Influenced by FLOOR and TORCHE in parts but with a heavier and angrier punk sound. The vocals are a mixture of clean "alternative psychedelic style" vocals to the more vicious sounding hardcore growls that elevates Ghastly Sound's music to something more ferocious and even genuinely more exciting.

The band get right into the action of playing heavy progressive sludge sounding riffs that demands the listeners attention. With the EP soon over I wanted to hear more of this Sludge/Stoner Metal aggression the band excel at. I hope that Ghastly Sound will be releasing something more substantial such as a full length album in the future. As even though the band show their full potential time and time again over the course of the two EP's they released so far. It's not enough. We need to see how Ghastly Sound on a full length record.

The Bottom is a dynamic sounding release that sounds LOUD and ANGRY from the start. The vocals are perhaps the best parts of the EP. As they work superbly well together. The music is aggressive and quite intelligent in parts with the band showing the world they know how to write a lean sounding Sludge/Stoner Metal song. I even applaud the band for taking influence from Deftones on this EP especially on Deadtooth. The vocals are highly reminiscent of Chino Moreno at times.

My final thoughts on the EP are as follows: If you're in the mood for a loud and angry slice of Sludge/Punk/Stoner Metal with flashes of demonic pop then The Bottom will keep you entertained from start to finish. I urge you all to give this EP a listen as The Bottom is another impressive release from Ghastly Sound.

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Magnetic Eye Records for the promo. The Bottom will be released via Magnetic Sounds on DD from December 15th 2017.


Purple Dino - And Now What (Album Review)

Release date: December 14th 2017. Label: Vault Relics. Format: CD/DD/Vinyl

And Now What - Tracklisting

1.Soul on Fire
2.Her Ride
4.Show Me
6.Out Of Me
7.Unknown Destination


Kosmas Ristas - THE frontman and all
Doukas Kostoglou - guitars and beer
Mitsos Angelakis - drums with extra cowbell
Stef Dimou - bass and weird noises


Greek Stoner Rockers Purple Dino return with a new album called - And Now What. This album sees the band changing their style of music ever so slightly with influences diverse as TOOL making a welcome appearance. It's still the familiar Desert/Punk/Stoner Rock sounds of the band but the music is very progressive and experimental in places.

The opening track - Soul On Fire - feels that Purple Dino are back to normal business of creating high energy Desert/Stoner Rock. That maybe for this song but enjoy it while it lasts as the band start to create a more daring and adventurous sound.

Second track - Her Ride - opens with a jazz based riff before moving on to a wilder and looser style of Stoner Rock/Metal. The song does take it's time in finding it's groove and can feel lacklustre at times but the band try their hand at new sounds on this track. The vocals from Kosmas offer a heavy mixture of different styles that is matched superbly well with the music. The music is your familiar style of Desert /Stoner Rock but at least Purple Dino add a more progressive groove with psychedelic noises appearing throughout.

Third track - 2day - sees Purple Dino opt for a Gonzo-Surf-Punk-Psych sound. It's a very cool sound which does take some time to fully become accustomed to. When the heavy Stoner sounds appear, Purple Dino become a more focused and intriguing band. This is where the band start to experiment with the sound on their album with the band taking influence from RATM as the song becomes more aggressive with each passing second.

The other songs of the album sees Purple Dino take a more experimental approach as they embrace elements of Noise Rock, Punk, Psych, Prog Rock and even Thrash. Songs such as Show Me and Isolated sees the album become ever more darker and progressive. The last two songs on the album Out Of Me and Unknown Destination is perhaps the band have taken the biggest creative risks with the album. As the album transforms into a heavier progressive sound that you would expect from TOOL and not a band such as Purple Dino.

The band touch upon some hard hitting subject matters. It shouldn't really work but the band show a real dynamic flair of merging the different sounds held on the album. This is still primarily a Stoner Metal album but Purple Dino prove that it doesn't have to follow the standard route that other bands seem to follow. Purple Dino have embraced a more daring approach on this album.

The album cover can be very misleading as if you're expecting a jovial and upbeat Stoner Metal album then you may walk away highly disappointed. Purple Dino maybe worried what long-time fans of the band may think of their new sound. I would tell them there's nothing to worry about. As this album manages to contain the familiar sounds the band has become well known for. However be prepared to expect a more experimental sound that may take a few listens to fully appreciate.

The production is handled superbly well as the album sounds angry and loud from the start. And Now What is an album that surprised myself in so many different ways. Purple Dino have struck gold with this record. It may not be to everyone's tastes though this is still an album that could enhance Purple Dino's reputation onto greater heights.

Words by Steve Howe